Tim Buttner - Multi-Media Expert


Tim is a Multi-Media Expert with skills that span various forms of media. Tim began writing screenplays before he was twelve, completing his first feature-length screenplay at sixteen. He began filming in high school and at seventeen gained experience interning at Edgewood Studios on the set of Zombie Town. Tim continued to study film at Drexel University, establishing himself in the Stereoscopic 3D revolution after attending workshops in New York City with Florian Maier on Stereoscopic Film Production. After graduating from Drexel's Film & Video Program with a Bachelor of Science, and with a Screenwriting & Playwriting Minor, Tim worked for Digital Revolution Studios under Craig Tanner and further worked in stereoscopic 3D. While at Drexel Tim co-founded a company (One Forest Films) with high school friends and for several years helped build the company as CTO, and Chief Web Designer. Tim has been a contributing writer for MarketSaw, and as well selected as a Beta Tester for Blackmagic Design on the URSA Mini 4.6K camera.


REELS:

CINEMATOGRAPHY REEL



EDITOR & VXF REEL



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sevices and rates

equipment and post


Tim is also a contributing writer to MarketSaw, a 3D blog. Check it out: www.marketsaw.com




  Filmography


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Music Videos


Short Films


Web Series


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—Favorite Quotes—

"Cinematography, a military art. Prepare a film like a battle." — Robert Bresson

"'Nobody's perfect' is the line that most sums up my work. There is no comedy, no drama about perfect people." — Billy Wilder

"Structure depends on strategy: strategy is determined according to events." — Cao Cao, from Sun Tzu's The Art of War

"I shall hang my 'lecturing' on the same peg with my other failures and follies. It must be a long peg and a strong peg to hold them all." — George Perkins Marsh

"Will the science of the human heart, around which all contemporary art is based, exhaust so completely the writer's powers of imagination that in future the only novels that are written will be chronicles of various events?" — Giovanni Verga

"Train easy, fight hard… and die.
 Train hard, fight easy… and win." — Unknown

 

—Personal Quotes—

"Movies are not watched. They are an encounter with a life's experience not your own."

"I'm well trained in the art of turning shit to gold."

"'My favorite movies are the ones inside my head."

Giacomo Puccini's "Turandot"


Updated on March 16, 2010, 1:33 AM - Written by Tim Buttner

 

First let me comment on how beautiful the Metropolitan Opera is, and how amazed I was by the architecture of the Lincoln Center. Truly a mesmerizing location to travel to for the opera, and then to witness the opera from balcony seats that I paid $70 per seat for was absolutely astounding. The set design was grandiose beyond anything that the Philadelphia Opera Company could present, and I had seen La Boheme, Rigoletto, and L'Italiana in Algeri there. I don't have anything against the oldest opera house in the country, nor the presentation of the music, but there is simply something about the decadence of New York City and the amount of money they are able to sink into their opera. Giacomo Puccini's final opera is one of my favorites and it was a great pleasure to see and hear it live as it will live with me for all of my life.


The room erupted with applause as the conductor stepped out into the orchestra pit and took a bow, and applause rose again when the curtain rose to reveal the people of Peking as the music began. It began with a short overture that set the mood and introduced the Chinese sounds that Puccini had worked into the composition. Puccini works in the chorus of the crowd who meet an announcement from the mandarin. Instantly I'm aware that the music is homophonic, and the instrumental works as the incident music to the action that takes place on stage and as a compliment to the voices of the people of Peking and our main characters.


When we are introduced to Timur, the disposed Tarter king, and his faithful servant Liù it is obvious that the singer playing her will steal the show. Indeed she got a standing ovation at the end of the show because she gave an absolutely devastating and beautiful performance. We met Calaf, and are given the exposition in wonderfully sung recitative. Puccini certainly knew best how to incorporate the voices of crowds into his operas, giving soul to the setting. The change in dynamics and ti...

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The White Ribbon


Updated on March 2, 2010, 11:59 AM - Written by Tim Buttner

 

The White Ribbon is a wonderful movie made by German writer, director Michael Haneke about a north German village in the year prior to World War I. Although they shot the film on color stock (Kodak Vision3 5207 and Vision3 5219) it was digitally converted to black and white. They also used digital technology to sharpen the images and facial expressions, and as well to remove modern details from the images, which allowed for the place setting to be the more real. All in all this allowed for stunning black and white cinematography.


The beginning of the movie is set during the late summer going into fall and harvest. From the opening shot, which involves a slow fade in to the country side and a single horse rider coming from the distance to the foreground and suddenly tripping on a hidden wire, to the last shot of all the villagers in the church the audience views stunning shots of the village and the countryside surrounding it. The shots inside the homes of the villagers is full of natural light during the days, and candle light at night and it feels as though the filmmakers used little to no artificial lighting in a style similar to Terrence Malick. Overall the movie feels very influenced by Malick with its voice-over and philosophical view of a historic mindset. The moralistic questions raised about the origins of evil are elevated by the ambiguous black and white cinematography, almost bringing back themes of film noir. Indeed the deep focus used throughout the movie is reminiscent entirely of that that was used in the 1940's by film noir directors. Also similar to that style is the stark contrast of lights and darks; where there are many frames where absolute black and absolute white are present, and all the shades of grey in between. The characters that inhabit this world are not necessarily black and white, but instead the ambiguous shades of grey.


Unlike the Hollywood movies that storm the cinemas around the world day i...

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