Tim Buttner - Multi-Media Expert


Tim is a Multi-Media Expert with skills that span various forms of media. Tim began writing screenplays before he was twelve, completing his first feature-length screenplay at sixteen. He began filming in high school and at seventeen gained experience interning at Edgewood Studios on the set of Zombie Town. Tim continued to study film at Drexel University, establishing himself in the Stereoscopic 3D revolution after attending workshops in New York City with Florian Maier on Stereoscopic Film Production. After graduating from Drexel's Film & Video Program with a Bachelor of Science, and with a Screenwriting & Playwriting Minor, Tim worked for Digital Revolution Studios under Craig Tanner and further worked in stereoscopic 3D. While at Drexel Tim co-founded a company (One Forest Films) with high school friends and for several years helped build the company as CTO, and Chief Web Designer. Tim has been a contributing writer for MarketSaw, and as well selected as a Beta Tester for Blackmagic Design on the URSA Mini 4.6K camera.


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Tim is also a contributing writer to MarketSaw, a 3D blog. Check it out: www.marketsaw.com




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—Favorite Quotes—

"Cinematography, a military art. Prepare a film like a battle." — Robert Bresson

"'Nobody's perfect' is the line that most sums up my work. There is no comedy, no drama about perfect people." — Billy Wilder

"Structure depends on strategy: strategy is determined according to events." — Cao Cao, from Sun Tzu's The Art of War

"I shall hang my 'lecturing' on the same peg with my other failures and follies. It must be a long peg and a strong peg to hold them all." — George Perkins Marsh

"Will the science of the human heart, around which all contemporary art is based, exhaust so completely the writer's powers of imagination that in future the only novels that are written will be chronicles of various events?" — Giovanni Verga

"Train easy, fight hard… and die.
 Train hard, fight easy… and win." — Unknown

 

—Personal Quotes—

"Movies are not watched. They are an encounter with a life's experience not your own."

"I'm well trained in the art of turning shit to gold."

"'My favorite movies are the ones inside my head."

Zero Dark Thirty Review


Updated on January 13, 2013, 3:34 PM - Written by Tim Buttner

 

The movie begins with a black screen and sounds of calls and other radio chatter regarding 9/11. We then find ourselves in Pakistan on the hunt for Osama Bin Laden. Yes, the movie begins with a torture scenario to ascertain information. No, the whole movie is not about how torture got CIA operatives reliable intelligence that led them to Bin Laden. It was one method used early on, and quickly is proven to be a so-so method.


Kathryn Bigelow did an amazing job in bringing this gripping story to the screen. It truly is a manhunt that will be remembered throughout history as one of the most harrowing and challenging for the world’s greatest criminal. Bin Laden may be labeled a terrorist, but in the end he’s nothing more than a criminal who orchestrated the mass killings of thousands of people. The film portrays the manhunt in a similar fashion to Gillo Pontecorvo’s masterpiece La battaglia di Algeri (1966). The cinematography has that same documentary style grittiness to it, and splices real news footage amongst the shot footage.


The main protagonist, Maya (Jessica Chastain), is a dedicated CIA operative who spends nearly a decade fixated on hunting down Bin Laden. Chastain nails her portrayal of this headstrong woman who sees a connection that her colleagues fail to recognize. It’s because of her devotion to finding a courier believed to be Bin Laden’s go to courier that the compound he was hiding in was able to be discovered. The film presents this challenging operation in exactly the manner that befits the truthfulness of the events.


The cinematography paired with the editing is tight. This is my pick for Best Editing this year. The sound design is perfect. The music is barely noticeable, which is absolutely right, but it does play a wonderful advocate to providing an atmosphere and texture to the film’s narrative. Instead the audience can mainly focus on the dialogue, environmental sounds, and practical sounds. It’s layered appropriately with all the elements of a wonderful docu-drama that retells a story the public must know.


Every one of the cast members is excellent. The writing is solid and provides great scenes taken right out of the bureaucracy of military protocol versus real world realities. The cast fills these scenes with the appropriate intelligence and military types, all with a single goal, but different views on how to achieve it. All of it brings to the forefront the hardworking souls who dedicated their life to finding Bin Laden and protecting the lives of the citizens of the United States and the rest of the world.


This is a fantastic movie. It will belong to cinematic history as exemplary filmmaking regarding the retelling of actual events. Is it the Best Picture of the year 2012? That’s hard to say because there were so many great films. It is one of the best. It deserves as many awards as it will get, and has received. This is a must see for this generation.

 

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